Iconic Heavy Metal Guitarist, Frontman Unleashes Diverse, Skyscraping Album Constructed during COVID-19 Pandemic; Decibel Debuts New Video "Alien Slut Mum"
From rewriting the hard rock rulebook with his Grammy award-winning trio High on Fire, to reverse engineering doom metal with his genre-defining trio Sleep, Matt Pike has channeled his natural talents and chiseled a steely path straight to the heart of modern-day metal’s molten core. On February 18, Pike will release his debut solo LP, ‘Pike vs. the Automaton’. Pre-orders are live at PikeVstheAutomaton.com.
Born out of the challenges brought on by a worldwide pandemic, birthed under hellish red-orange skies bred from rampaging west coast wildfires, and built amidst the yearlong political riots and rallies in Portland, OR, Pike’s solo debut, ‘Pike vs. the Automaton’, is both a musical and emotional release. The record was written by Pike with drummer Jon Reid, features contributions from a slew of family and friends, and was recorded with longtime conspirator Billy Anderson, the producer who brought the best out of Pike previously on touchstone titles such as ‘Surrounded by Thieves’ and ‘Sleep’s Holy Mountain’.
“I was just going bonkers during the pandemic. It was like really, truly miserable. And then all the riots here in Portland and all the political shit. I was trapped in my garage, which was the only place I could go and jam and do anything,” confesses Pike. “I was trapped in there ‘cause I couldn’t go jam with High on Fire, I couldn’t do this, I couldn’t do that, no one could fly. I was going crazy. My friend Jon Reid, who was the original drummer for Lord Dying, had moved to Portland and was babysitting my dog, Crom, and he was drumming for my wife’s band, so he had his drums already set up at my place. I finally said, “Dude, do you want to come over and just start jamming? So, I just started this thing with my friend Jon. I was like, “Dude, fuck it. Let’s start a side band and we’ll just demo this and act like we’re starting it as teenagers, you know?”
‘Pike vs. the Automaton’ is advanced by the bizarrely titled track "Alien Slut Mum". When asked for comment on the clip, Pike cryptically replies, "Four friends enter the woods, for a getaway, little did they know they would never return! Dogmen, Sasquach, Reptilians, or alien slut mum?!?! Where have they gone??" A video for the song premieres via Decibel; feast your eyes on "Alien Slut Mum" at this location.
"Necessity is the mother of invention" is a well-known proverb that has proven itself true time and time again. When the need for something becomes imperative, you are forced to find ways of getting or achieving it. In this true story, the need for Pike was to create and play music with others at a time when that lifelong love was seemingly out of reach. Guest musicians on ‘Pike vs. the Automaton’ include Alyssa Maucere-Pike (Lord Dying / Grigax), Chad "Chief" Hartgrave, Brent Hinds (Mastodon), Steve McPeeks (West End Motel), Josh Greene (El Cerdo), Todd Burdette (Tragedy), and High on Fire's Jeff Matz, who lays down Turkish electric saz on the album's towering closing track "Leaving the Wars of Woe".
‘Pike vs. the Automaton’ track listing:
2.) Throat Cobra
3.) Trapped In A Midcave
6.) Alien Slut Mum (watch VIDEO)
8.) Acid Test Zone
9.) Latin American Geological Formation
The album title, ‘Pike vs. the Automaton’, wasn’t an ego thing for me. Billy and Jon said, “Dude, you should use your name in this. This is your solo project.” I said, “I don’t want to do that”. The Automaton, in Greek mythology, is the big robot that’s the guardian of the Gods, basically. It’s a soulless, big machine named Talos. The big machine that’s working against mankind at this moment. In ‘Jason and the Argonauts’, Jason and the Argonauts have to battle this big machine guy that protects the island. Basically, what the album title is saying, metaphorically, is ‘Pike against the World.’”
“I made a psychedelic rock record that Sleep and High on Fire fans would like,” Pike continues when asked for a CliffsNotes description of ‘Pike vs. the Automaton’. “And maybe if you’re not a Sleep or High on Fire fan, you might like it too. I definitely think it’s interesting; it has D-Beat punk, two-step. It’s got everything and it still works together, it doesn’t sound odd. It’s just an off-the-wall psychedelic rock record.”
"Mr. Pike has found a way to adrenalize weariness. Unhealthy looking, charismatic, he's got conviction. He appears not to be kidding with his dungeons-and-dragons lyrics, and with his long stretches of the same guitar chord welded onto irregular rhythm cycles, which, finally, sprout complex, chorded turnaround sections or, more rarely, frenetic solos high on the neck. It's all quite narrow, quite hypnotic. But it is not studied, and it's not dry." - The New York Times